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Welcome to Laugh Out Loud, HAIKU's from a Foot...........
A freebase Haiku/Tanka collection as diverse as their quality:
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Main Entry: hai·ku
Pronunciation: 'hI-(")kü
Function: noun<
Inflected Form(s): plural haiku
Etymology: Japanese
Date: 1902
Haiku is one of the most important form of traditional japanese poetry. Haiku is, today, a 17-syllable verse form consisting of three metrical units of 5, 7, and 5 syllables. Since early days, there has been confusion between the three related terms Haiku, Hokku and Haikai. The term hokku literally means "starting verse", and was the first starting link of a much longer chain of verses known as haika. Because the hokku set the tone for the rest of the poetic chain, it enjoyed a privileged position in haikai poetry, and it was not uncommon for a poet to compose a hokku by itself without following up with the rest of the chain. Largely through the efforts of Masaoka Shiki, this independence was formally established in the 1890s through the creation of the term haiku. This new form of poetry was to be written, read and understood as an independent poem, complete in itself, rather than part of a longer chain. Strictly speaking, then, the history of haiku begins only in the last years of the 19th century. The famous verses of such Edo-period (1600-1868) masters as Basho, Yosa Buson, and Kobayashi Issa are properly referred to as hokku and must be placed in the perspective of the history of haikai even though they are now generally read as independent haiku. In HAIKU for PEOPLE, both terms will be treated equally! The distinction between hokku and haiku can be handled by using the terms Classical Haiku and Modern Haiku.
Modern Haiku:
The history of the modern haiku dates from Masaoka Shiki's reform, begun in 1892, which established haiku as a new independent poetic form. Shiki's reform did not change two traditional elements of haiku: the division of 17 syllables into three groups of 5, 7, and 5 syllables and the inclusion of a seasonal theme. Kawahigashi Hekigoto carried Shiki's reform further with two proposals:
Haiku would be truer to reality if there were no center of interest in it.
The importance of the poet's first impression, just as it was, of subjects taken from daily life, and of local colour to create freshness.
an unrhymed verse form of Japanese origin having three lines containing usually 5, 7, and 5 syllables respectively; also : a poem in this form usually having a seasonal reference -- compare TANKA
Main Entry: tan·ka
Pronunciation: 'tä[ng]-k&
Function: noun
Etymology: Japanese
Date: circa 1877
What Is A Tanka? The answer to this question is not as easy as it may seem. Tanka is a poetic form that requires 31 onji, and is divided into 5 lines of 5-7-5-7-7 onji each. A Tanka is further divided rhythmically; the earliest Tanka were divided at the end of the 12th onji with a new rhythm beginning at the 13th and continuing to the end of the poem. Later, the trend became to divide the poem rhythmically at the end of the 17th onji and begin a new rhythm from the 18th onji to the end (or the last two 7 onji lines). Modern Tanka utilizes either rhythm break position, but though the break point is less important today than earlier times, rhythm and rhythm changes as an integral part of the structure of Tanka is of primary importance still.
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